She participated in the creation of Éditions ENCORE MERCI in 1995, where she became a partner and director of copyright. In 1996 she created Double V, a company specialising in artist management and career support consulting, while also providing artistic and business management services in the music industry.

CALENDAR . «Le job est juste venu confirmer ce que j'étais.» Une jeune femme «drivée» par l'émotion et les sensations fortes. C'est-à-dire quand elle ne vit pas au rythme d'une sortie d'album d'Orelsan (

At the age of 30, she was appointed to the general management of the Epic label.

She develops the careers of artists such as Orelsan, Dany Synthé, Ash Kidd and the 92i (Siboy, Benash, Damso) and 7 Corp (Bramsito, Dixon) labels. As such, it has signed the Code of Practice and Good Practices for the Publication of Musical Works. Announcement of the results. Learn about our use of cookies, and collaboration with select social media and trusted analytics partners here Learn more about cookies, Opens in new tab. Juliette Metz was President of the ULM (Union des Librairies Musicales) from 2009 to 2014, and is currently its Vice-President. The best result we found for your search is Ruth M Martin age 60s in Pittsburgh, PA in the South Side neighborhood. Anne Cibron n'est pas tombée dedans toute petite. She represents CSDEM at SACEM in several working groups, at the FCM of which she is vice-president, at the Export Office, at SEAM and at the Hall de la Chanson as a director. Please click "Accept" to help us improve its usefulness with additional cookies.
At the beginning of the 2000s, realizing that the world was changing with the arrival of Digital, always curious and eager for new experiences and the desire to learn, Laurence joined Orange to create and manage the Music Department within the brand new Content Department. Ruth is related to Eleanor Martin Mezyk and Norman F Cibron as well as 3 additional people.

Il incarne quelque chose qui sort de la matrice, un nouveau modèle d'expression et d'émancipation.» Ses rimes misogynes et ses clips gorgés de femmes objets posent néanmoins questions. «Ce n'est pas un hasard s'il a tant de succès. She is a mentor in the MEWEM program (mentoring program for women music entrepreneurs). For 13 years she has designed all kinds of music products and services marketed by the Orange subsidiaries (Europe and MEA), including a strategic and innovative partnership between a telco and a "pioneering" Deezer music service, which has accelerated and democratised the use of streaming.Its drivers: to unite teams around a project, whether artistic or industrial, to bring it to success, to find talents, good profiles with beautiful personalities and to support them so that they can flourish and grow.Béatrice Macé arrived in Rennes in 1975 to study classical literature, art history and general linguistics. The label disappears in 2017 and Stéphanie Fichard then founds with Anaïs Ledoux the CRYBABY label with which they produce, edit and manage artists like Lucie Antunes, Léonie Pernet, Piers Faccini, Yelli Yelli, or the rock quartet Rendez Vous. Parce qu'ils ont «cette vision singulière du monde» qui l'émeut. She also set up her recording studio, Mutterville, and Rospiko Publishing. Her profile is therefore the one that tends to develop, that of the artist-entrepreneur.Director of the Startup ecosystem for the creative industries at Orange in the Content Department.

In 2005, she left the project to devote herself to her passion for music and created with Fany Corral and two key players on the Parisian electronic scene - Djs Ivan Smagghe and Chloé - the label KILL THE DJ, a sharp and exceptional label that defends quality underground music and has seen the birth of talents like CHLOE, LEONIE PERNET, or C.A.R. First President of the "Collectif des festivals engagés pour le développement durable et solidaire en Bretagne", of which the Trans are one of the founding members, she integrated sustainable development into ATM in 2005 as a production prism. cheap swimwear Bathing Suits The roots of Orthodox Judaism can be traced to the late 18th or early 19th century, when elements within German Jewry sought to reform Jewish belief and practice in the early 19th century in response to the Age of Enlightenment, Jewish Emancipation, and Haskalah.